Two boxers fight to exhaustion, navigating the lines between violence and intimacy while the commentary in the background dissolves into AI generated text on capitalist masculinity.
A workshop on facial recognition, emotion recognition, and adversarial tactics, informed by case studies, ideas and research developed in the fields of technology, law, visual culture, cosmetics, media theory, and military camouflage.
Flip book commisioned by Verso
An exercise in Lossinesss and incompatibility
A piano piece is played on loop as the keys are gradually taped down.
In collaboration with Paul van Blokland
How does sound induce fear, control crowds, bring calm and healing, or even kill?
This is a part theory, part practical workshop where participants explore acoustic and psychoacoustic concepts, and create sketches of performances or interventions with them.
A lecture performance on biometric technology (eg. facial recognition), the bias built into its algorithms, and ultimately how biometrics shape definitions of what a human being is. This lecture unpacks what it means to be legible in the eyes of the state and society, and looks into strategies of camouflage, masking and ambiguity built into “illegible” bodies and faces.
The performer wears a malleable mask of their own face, which is read by a facial recognition app that shows age, sex, and race data. Throughout the lecture, the performer manipulates their face until it is no longer recognizable by the app or by the audience as a human face.
Poetics and Politics of Erasure is a self-deleting digital essay on the aesthetics and politics of erasure in audio, visual, and digital cultures. The essay was produced and published on oneacre.online from Dec 2017 to Mar 2018 in collaboration with the oneacre.online team.
An ongoing series of score-making and performance workshops for non-musicians by Yun Lee, Natalie Fyfe, and Karina Dukalska in collaboration with invited guest artists. Past approaches include text and graphic scores for movement, objects, paper, stones.
4 minutes of silence on 7″ vinyl record, sandpaper record sleeve
An electric guitar is smashed until it no longer produces any sound. The recording of this action is then transcribed for solo piano.
Released on Another Timbre 2019
'Of Monsters' - piano, accordion
'Cells' - amplified snare drums
'Bead Spit' - piano, electric guitar, percussion
'Another' - string quintet, vibraphone
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